De volmaakte beschouwer : de ervaring van het kunstwerk en de actualiteit van de receptie-esthetica.

Leiden Repository

De volmaakte beschouwer : de ervaring van het kunstwerk en de actualiteit van de receptie-esthetica.

Title: De volmaakte beschouwer : de ervaring van het kunstwerk en de actualiteit van de receptie-esthetica.
Author: Wesseling, Jannetje Catharina
Publisher: Leiden University Academy of Creative and Performing Arts, Faculty of the Humanities, Leiden University
Issue Date: 2013-09-10
Keywords: Esthetic object
Hermeneutics
Horizon
Internal critic
Relational aesthetics
Reception-aesthetics
Phenomenology
(Self)-reflection
Spectator
Verticon
Abstract: The key questions posed in this dissertation are centred on the interaction between spectator and artwork. What happens between a spectator and an artwork? How do we experience ‘meaning’ in an artwork? How may the process of interpretation be understood and articulated? Key concepts of reception theory are extensively discussed, such as ‘the aesthetic object’ and ‘blank space’. To the extent that this is deemed necessary they are given a new denotation and a new theoretical context. Much attention is paid to the theory of German the art historian Wolfgang Kemp. Different notions of spectatorhood are put forward and critically analyzed. The research is based on an art critical practice of many years and on the personal experience of artworks.The research is focused on unravelling and problematising the theoretical terminology of the interaction between artwork and spectator, with the aim of building a new theoretical foundation for this terminology. Hermeneutics and phenomenology, especially the thinking of Hans-Georg Gadamer and Maurice Merleau-Ponty, play an important role in the construction of the argument. Different concepts of spectatorhood are extensively discussed. The dissertation proposes a new set of theoretical concepts to understand the interaction between artwork and spectator. The argument is sustained by concrete examples from contemporary art and art history.
Description: Promotores: R. Zwijnenberg, C.J.M. Zijlmans
With summary in English
Faculty: Faculteit der Letteren
Citation: Wesseling, J.C., 2013, Doctoral thesis, leiden University
Sponsor: Mondriaanfonds
Handle: http://hdl.handle.net/1887/21701
 

Files in this item

Description Size View
application/pdf Full text 5.707Mb View/Open
application/pdf Title page_Acknowledgements_Contents 393.4Kb View/Open
application/pdf Introduction 470.4Kb View/Open
application/pdf Chapter 1 519.0Kb View/Open
application/pdf Chapter 2 642.4Kb View/Open
application/pdf Chapter 3 601.0Kb View/Open
application/pdf Chapter 4 677.2Kb View/Open
application/pdf Chapter 5 782.0Kb View/Open
application/pdf Le parfait visiteur 326.6Kb View/Open
application/pdf Chapter 6 Conclusion 422.5Kb View/Open
application/pdf Literature 429.8Kb View/Open
application/pdf Illustrations 3.959Mb View/Open
application/pdf Summary in English 296.2Kb View/Open
application/pdf Biography 288.1Kb View/Open
application/pdf Propositions 737.2Kb View/Open

This item appears in the following Collection(s)